Niki Small – The Chase

One of the most compelling aspects of Niki Small’s emergence with her Woodward Avenue Records debut, The Chase, is the fact that she didn’t take her first singing lesson until age 25. She spent some years in Southern California making connections and honing her vocals and her craft as a songwriter before the opportunity presented itself to record an album showcasing her multitude of talents. Yet from the poetic, scene setting opening lines of her sultry, whimsically romantic debut single (the collection’s title track), those soulful, smooth vocals seem so at home amidst the bluesy, jazzy, country and Americana-tinged vibes created by producer Paul Brown and his L.A. based ensemble, that it feels like she’s a natural who’s been doing it all her life.

Written by Niki and produced and mixed by Brown – who also contributes one of his trademark edgy, crying blues guitar solos after the second chorus – “The Chase” reveals the singer as a dynamic storyteller, drawing us into a fun, freewheeling world with her lover under pink skies and street lights, where “the wind is slipping through our hair,” they’re engulfed in a wave “big enough to share” and they’re laughing and kissing under the stars. When she gets to the chorus, we learn that it’s not all that serious, but more like a glorious, sunsplashed summer fling: “Hearts beating like crazy, like they’re in a race/But I don’t care about the finish line/Baby, I’m just here for the chase…” The exciting hook finds her repeating “the chase” several times, adding wordless vocal textures for emphasis as the music and easy groove breezes along. She even shows a bit of a humorous dark edge when, in Verse 2, she sings, “I can’t tell if what I’m feeling is from the shit we’re smokin’ or somewhere far beyond…”

Listeners who take every word Niki sings literally will enjoy a fun, lighthearted summery country tune with some clever turns of phrase. What’s ironic, however, is that “The Chase” doubles as an emphatic mission statement about her long term, slow building approach to her career – and that’s something she takes very seriously. Explaining the essential romantic storyline, she says, “The song is about fun and the thrill of falling in love without caring how it turns out or where it might lead.” Diving into its deeper meaning, she adds, “The song is very much about both love and my career to this point. The lyrics relate to my ups and downs in the industry. I just knew I wanted to write songs, sing and follow wherever that desire would take me. I believe life is one percent about getting where you want to be and 99 percent experiencing life along the way.”

Niki has called The Chase (the album) a collaborative effort based on her engagement with Brown and the dynamic crew of L.A. musicians who on the title track create a cool, laid-back foundation featuring Shane Theriot’s subtle rhythm guitar and Marco Basci’s bluesy old school keyboard accents. The rhythm section features bassist Bob Glaub and drummer Tony Braunagel.

While Niki showcases the full range of her talents throughout the collection – including her Linda Ronstadt like ability to recreate classic and obscure older songs in her own style – “The Chase” offers a splendid intro to her beautiful vocal vibe and incredible songwriting skills.

  • Jonathan Widran

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