Tony Kennelly – Sailing

I would like to tell you how my new single ‘Sailing’ came to find its way onto paper. This story goes back to when I was a young teenager. My family lived in a suburb in Sydney very close to the Parramatta River. It was there that the river was my backyard and boats became a way to enjoy this wonderful harbor.

Buying a boat at thirteen was going to be a challenge. So I worked every moment I could, saving my money. One day I was doing work for a nice old man in his garden, washing cars, chopping wood, any job that I could to help finally buy a boat. This lovely man and his wife often noticed how hard I worked. They offered to give me an old 12 foot tinny with a small outboard motor, knowing that I would pay them back for this boat in time, for which I did.

This opened up a whole lot of new adventures up and down the river, but my favourite time of the year was December when the Sydney to Hobart Yacht Race was about to start. The colors of the sails, the excitement of the spectator’s boats large and small, all trying to navigate to have the best position to watch the big maxi yachts fight for position. And there was me and a mate in a little tinny, but we loved every second of it.

On our journey back up river we would say “we will be one of those crewmen one day and sail all the way down to Hobart”. There was only two things that stopped me. One was I would get terribly sea sick and still do. The other was I lacked the confidence to sail so far out to sea. But that never stopped me dreaming about the romance of it all. Funny being a river rat kid, to being a farmer and nowhere near the salt water.

Now, since my wife and I decided to sell the farm and enjoy our benefits of years of hard work, we can once again smell the salt air. My utmost respect goes to the men and women that battle the oceans. – Tony Kennelly.

Tony Kennelly possesses something of an eagle eye view on the Australian music scene. For more than 45 years he has observed and played a part in its ever-changing landscape. With 30 years gone by between his youthful role as a guitarist and singer around Sydney in the 70’s and 80’s at a pivotal time in the birth of Australian Rock Music, Tony returns to his role as a songwriter in the country/folk scene.

Tony possesses a sense of musicianship and songwriting that are a testimony to his years of experience. He’s been there, done that and seen the whole story unfold. His ethos behind the music is based in a pure love for the songs and with an appreciation for the old folk tradition, there’s a real story and message behind his work.

Key Loch – Come Home To Me

Coming fresh off their recent hit Where Is The Love, Key Loch are bringing us another passionate single! Come Home To Me is a worthy successor to their emotional last single, and the beautiful tones of Avery May Parker’s voice combined with the smooth drums and gentle guitar will make you feel right at home.

Key Loch are Damien Reilly and Justin Gross. They are the founders of the 90’s power Aussie Rock Band Southpaw, which you can learn more about at www.southpawmuzik.com . They bring together a production history between them of 50 years of song writing and playing live music in Australia. And this time, the duo are featuring a third member to their killer ensemble, that being Avery May Parker! A sweet and soulful performance in every lyric, Avery’s voice and Key Loch’s expert playing guarantee that every time you listen to Come Home To Me, it’ll hit you right where it counts.

This track is an emotional story about a husband that has been sent off to war, with his wife pining for his return. “Come home to me”, come back alive, come back safe. It’s a heartfelt scenario that cuts deep and pulls no punches. Avery once again knocked it out of the park with her vocals, and alongside Damien and Justin’s incredible production, we think this one is bound to be a massive hit!

The cozy chord progressions and delicate lyrics will transport you homely times, to nostalgic times you once fondly lived through, and to happy times that are yet to come, or perhaps never will come and are bound to your imagination. The future is a mystery, however the passion presented in this song is a constant, one that cannot be altered, merely moulded to suit your idyllic preference. Key Loch are making a name for themselves in the music world with hits like this, and it’s only a matter of time before that name becomes a household one!

Axle Whitehead – One Gun

Axle Whitehead Returns to His Country Roots with ‘One Gun’

Axle Whitehead is one of Australia’s most versatile musicians, with studies in jazz improvisation through to a gold-selling pop single ‘I Don’t Do Surprises’, but it’s country music where Axle’s heart lies. First jumping into the country world in 2011 with ‘Sister Sunshine’ Axle has toured around Australia and beyond, juggling a successful acting career with his first love of music.

Whitehead has spent much of the last decade throwing himself into a successful acting career traveling between Los Angeles and Sydney with roles on the international hit TV series Shameless and Marvel Agents of SHIELD. Already known across Australia as the host of iconic music show Video Hits and game show The Wall as well as a four-year stint on Home and Away, it’s music that always brings him home.

His new single ‘One Gun’ is his most accomplished track to date, collaborating with writer /producer/ musician Carl Dimataga (Khalid, James Fauntleroy, Thundamentals, Baker Boy) creating a roots-based sound harking back to his regional Victorian upbringing, melting rock, blues and jazz influences into a unique and contemporary country sound. With his soulful vocal winding through a shuffling, minimalist guitar lick, ‘One Gun’ explores the relatable story of a man trying to find his identity. A parallel to Whitehead’s own fulsome career coming full circle to his country roots, the song is Axle Whitehead at his confident and accomplished best.

“I am incredibly proud of ‘One Gun’, said Whitehead. “Through writing many songs, Carl and I have stumbled across this Soul/Country sound. By taking the drums out it allows the listener to sit and breathe
with the song whilst the guitars do the heavy lifting.”

“Before I went to music college to study Jazz all I wanted was to be Garth Brooks or Steve Earle. Now after exploring a few different genres over the years, I’ve finally found my own sound.”